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簡(jiǎn)介：　　When librarian Taylor Harris suddenly loses her job, she moves back to her small hometown in Montana, where she gets involved in helping save her brother's small-town hotel from tycoon Joel Sheenan, who wants to renovate it.@2kyb.com

簡(jiǎn)介：為了不讓他人摧毀和爹地相處的歡樂時(shí)光，她將不擇手段達(dá)到目的！在養(yǎng)母去世兩年后，12歲的艾拉現(xiàn)在與養(yǎng)父相依為命。但當(dāng)一個(gè)帶著14歲男孩的繼母進(jìn)入她與父親的生活時(shí)，一切都將改變……。

簡(jiǎn)介：青少年法魯克和朋友靠幫黑手黨做事為生，直到他遇到中產(chǎn)階級(jí)女孩莫娜，一段青春期的浪漫愛情由此萌發(fā)。影片徘徊在驚悚片和童話故事之間，灰暗現(xiàn)實(shí)與迷人夢(mèng)境互相交織，極富油畫質(zhì)感的布光、舒緩的鋼琴旋律襯托出年輕人的迷惘與哀愁。波黑導(dǎo)演伊戈?duì)枴さ聽柪麃啈{借一個(gè)浪漫愛情故事之殼，展現(xiàn)戰(zhàn)后薩拉熱窩的社會(huì)氛圍，以及不同階層的生活狀況。本片入圍2021年柏林電影節(jié)新生代青年競(jìng)賽單元。

簡(jiǎn)介：An old storyteller tries to convince her grandson that Death no longer exists. Her story will bring back to life the extraordinary people who, by using incredible tricks, will eliminate Death that threatens them.

簡(jiǎn)介：Justine Juel Gillmer(《地球百子》《荒原》)編寫劇本，基于哈夫特之子Alan Scott Haft寫作的書籍《Harry Haft Survivor Of Auschwitz, Challenger Of Rocky Marciano》，講述一個(gè)男人在奧斯維辛集中營(yíng)被迫與獄友進(jìn)行殘酷的角斗，勝利意味著能活著等待另一天的考驗(yàn)，而他擊敗的76名對(duì)手則走上了死亡之路。哈夫特承擔(dān)了沉重的內(nèi)疚之情，他嘗試通過參加二戰(zhàn)后備受矚目的拳擊大賽、與洛基·馬西安諾等傳奇人物比賽而重新找到活下去的理由，并希望能找到他在戰(zhàn)爭(zhēng)前愛上的那個(gè)女子，她激勵(lì)了他在納粹手中活下去的斗志。

簡(jiǎn)介：兩個(gè)極端對(duì)立的婦女迅速將一個(gè)土著社區(qū)分裂成兩派，他們必須面對(duì)面地決定獨(dú)立的最佳道路。

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Two brothers plot to steal the body of Charlie Chaplin and ransom it for a fortune.

簡(jiǎn)介：故事改編自安東尼·格里科(Anthony Grieco)原著劇本，講述為了挽救一家精品出版社，一位雄心勃勃的年輕編輯(普拉扎飾)與一位作家(凱恩飾)上演了一場(chǎng)狂野的售書之旅。而這名作家一直只是想與蘇格蘭威士忌、雪茄與虎斑貓過自己的日子。

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兩個(gè)極端對(duì)立的女人很快將一個(gè)土著社區(qū)分成了兩派，雙方必須面對(duì)面地討論哪條路才是最好的獨(dú)立之路。

簡(jiǎn)介：盲人前滑雪選手蘇菲（斯凱勒達(dá)文波特飾演），某日前往友人豪宅，協(xié)助照顧對(duì)方的寵物。她透過手機(jī)下載的「幫我看」APP，尋求全國(guó)各地串連起的陌生人口述協(xié)助，帶她初步了解這個(gè)陌生環(huán)境。不過當(dāng)天晚上，她發(fā)現(xiàn)三名歹徒潛入這處豪宅行竊。面對(duì)自己的生命即將遭受威脅，蘇菲再次透過這個(gè)APP，找到素未謀面的退伍女軍人凱利（潔西卡帕克甘迺迪飾演）?？床灰姷奶K菲，能否因?yàn)閯P利的幫助，成功抵禦這群入侵者，並在最後生存下來(lái)呢？

簡(jiǎn)介：Four families in a Heartland town are tested in a single day when a tornado hits, forcing paths to cross and redefining the meaning of survival.

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林克和他的兄弟逃離了虐待他們的父親，踏上了一段旅程，在旅途中，林克發(fā)現(xiàn)了自己的性取向，并重新發(fā)現(xiàn)了自己的米克馬克血統(tǒng)。

簡(jiǎn)介：加里·奧德曼、艾米·漢莫、伊萬(wàn)杰琳·莉莉?qū)⒅餮菪麦@悚片《幻境》(Dreamland)，號(hào)稱是第一部聚焦國(guó)際“鴉片類藥物危機(jī)”的院線片。已經(jīng)開拍，將在蒙特利爾和底特律拍攝。　　尼古拉斯·亞雷茨基(《套利交易》)執(zhí)導(dǎo)及編劇，主線為三方故事：一個(gè)毒品走私犯安排了一場(chǎng)跨越美國(guó)和加拿大、涉及多集團(tuán)的芬太尼走私行動(dòng)；一個(gè)從奧施康定成癮中恢復(fù)的建筑設(shè)計(jì)師發(fā)現(xiàn)她的兒子跟毒梟有聯(lián)系事件背后的真相；一個(gè)大學(xué)教授與他的雇主被曝光的真相作斗爭(zhēng)，這家與政府聯(lián)系很深的藥品公司試圖把一種“非上癮”止痛藥投入市場(chǎng)。　　亞雷茨基稱，該片想表現(xiàn)“鴉片類藥物濫用危機(jī)已經(jīng)觸及到社會(huì)的每個(gè)角落，影響是毀滅性的”。影片為加拿大-比利時(shí)合拍片，會(huì)在柏林的歐洲電影交易市場(chǎng)賣片。

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　　一位任職于倫敦美國(guó)大使館的簽證官，因察覺了一場(chǎng)即將引爆的恐怖事件而讓自己身陷險(xiǎn)境，她不僅被恐怖份子栽贓，更遭深信的同僚背叛、誣陷。在身陷最毒陰謀與最狠背叛名聲敗壞的情況下，她被迫展開一場(chǎng)洗刷罪名的大逃亡，而同時(shí)還得設(shè)法阻止這場(chǎng)危及全美國(guó)的恐怖攻擊。

簡(jiǎn)介：　　Shakespeare once said, "what tangled webs we weave", and this is the through-line of On the Fringe of Wild. Peter is a young gay man whose father is trying to make a man of him by taking him camping. He is also a talented artist who uses drawing to escape his life and hopes to get into a prestigious art school. He is being bullied by almost everyone at school, especially the popular boy Miles, who himself is closeted and using a tough guy image and a girlfriend on his arm as his defense from being found out. Miles is having a secret affair with Jack, a very insecure young man living in constant fear of his very violent and abusive alcoholic father. When Jack and Peter each escape their living situations, a chance encounter will change their lives forever as the two set up a temporary home free of the bigotry and violence they have endured. As they become close and try to be their authentic selves, Jack can no longer take the forces that are trying to tear them apart, leading to an ending that is incredibly difficult to accept but all too often a reality for many LGBTQ+ youth.

簡(jiǎn)介：　　A small town cop has settled into a peaceful existence. He is reunited with a good friend from Canada’s security agency and told to be on the lookout for Russians that have disappeared in his County. The Russians are a group of cyber-terrorists that have infiltrated and are attempting to disrupt the Canadian election. Colt Hanson – with the help of his small force of peace officers, must do everything he can to find the Russians and bring back order to his small town.

簡(jiǎn)介：Hospital physician June Lowe and successful author Rick Lowe have a seemingly perfect marriage, the one sticking point between them being the issue of children. Rick wants June to give up her career so that they can start a family, and while June is not averse to the notion of children, not only does she not want to give up her career but expand into writing herself, she not understanding why Rick couldn'tshouldn't be the primary caregiver anyway in already working from home. In the process, June feels like Rick totally dismisses her feelings. When Rick receives a blackmail letter for something he totally denies as truth, June gets implicated in a double homicide. June quickly realizes that Rick is trying to frame her, he the actual murderer. As June needs to evade both Rick and the police and has no one to confide in, including her generally loving sister Maggie Porter who believes the accusations of she being a murderer, June not only has to discover why Rick killed the two victims but why he is trying to frame her. When she believes she's discovered what's going on, June enters a dangerous cat and mouse game with Rick, it not always clear who is the cat and who is the mouse.—Huggo

簡(jiǎn)介：　　Few films examine the societal pressures and expectations faced by young women of colour in North America. The piercing and often anxious divide between cultural traditions versus independence and acceptance among white peers is an overwhelming experience that only those who have lived it are in a position to describe. In her impressive debut feature, Pakistani Canadian writer-director Haya Waseem explores the family dynamic in a new light. The result is personal, intimate, and brought to life by an exciting new voice in Canadian cinema.
　　Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong.
　　Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.

簡(jiǎn)介：艾比一家原本在小鎮(zhèn)過著平靜的生活，“工作超量的爸爸”、“壓力重積”的媽媽、患有自閉癥的弟弟，日子緊緊巴巴但一家人也相親相愛。來(lái)自加州的大學(xué)錄取通知書讓艾比歡喜又憂愁，她為追夢(mèng)不得已與家人分開，而如何照顧弟弟則變成了全家最大的難題。當(dāng)生活越來(lái)越嘈雜，艾比該如何扛起家庭的重?fù)?dān)，又該如何處理與戀人卡麗之間的矛盾呢？也許愛是最終的答案。

簡(jiǎn)介：　　凱特和斯蒂薇不僅是好閨蜜，還一起組建樂隊(duì)，平時(shí)會(huì)在凱特家的地下室練習(xí)。當(dāng)凱特喜歡上酷女孩艾登，她決定幫助艾登策劃出一檔最好的校園春季晚會(huì)，而艾登的心愿就是讓Polyamorous Diatribe樂隊(duì)登臺(tái)演出。實(shí)際上，凱特就是樂隊(duì)主唱丹妮的女兒，在斯蒂薇的幫助下，凱特不僅要努力讓因?yàn)楫?dāng)年一系列雞飛狗跳的事件而解散的樂隊(duì)重聚，還要追到心愛的女孩——她能成功嗎？

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塔尼婭是一名警探，她與同事瑞安搭檔偵破了最近發(fā)生的一系列搶劫案。他們以新婚夫婦的身份臥底，搬進(jìn)了案件主要嫌疑人米勒先生隔壁的空置房屋。

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一位鰥夫和他的女兒成為兩個(gè)騙子的目標(biāo)。

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莎士比亞曾說：“我們編織的網(wǎng)多么錯(cuò)綜復(fù)雜”，這正是《荒野邊緣》的主線。彼得是一位年輕的同性戀男子，他的父親帶他去露營(yíng)，試圖讓他成為一個(gè)真正的男子漢。他也是一位才華橫溢的藝術(shù)家，他用繪畫來(lái)逃避現(xiàn)實(shí)，并希望考上一所著名的藝術(shù)院校。在學(xué)校里，幾乎每個(gè)人都欺負(fù)他，尤其是受歡迎的男孩邁爾斯。邁爾斯本人也是個(gè)隱居者，他用硬漢形象和女友的陪伴來(lái)保護(hù)自己，以免被發(fā)現(xiàn)。邁爾斯與杰克有一段秘密戀情，杰克是一個(gè)非常缺乏安全感的年輕人，一直生活在對(duì)他暴力成性的酗酒父親的恐懼之中。當(dāng)杰克和彼得各自逃離各自的生活困境時(shí)，一次偶然的相遇永遠(yuǎn)地改變了他們的生活，兩人建立了一個(gè)暫時(shí)的家，擺脫了他們所遭受的偏見和暴力。當(dāng)他們的關(guān)系變得親密并試圖做真實(shí)的自己時(shí)，杰克再也無(wú)法忍受那些試圖將他們分開的力量，這導(dǎo)致了一個(gè)難以接受的結(jié)局，但對(duì)于許多 LGBTQ+ 青年來(lái)說，這往往是現(xiàn)實(shí)。