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卸嶺秘錄
3.8 |03月05日 11:47 |卸嶺軍閥探兇墓
簡介:

  軍閥混戰(zhàn)時期,連年戰(zhàn)爭導(dǎo)致民不聊生,早已金盆洗手的卸嶺一派為救百姓不得不下墓取財換糧。卸嶺傳人江宇跟著二叔——卸嶺魁首江淮瑞,率領(lǐng)一眾卸嶺力士進(jìn)入墓中。進(jìn)入墓中后不久,卸嶺眾人便遭到墓中潛伏的巨型蜘蛛襲擊,只有江宇和護(hù)衛(wèi)熊奎背著受重傷的江淮瑞逃回寨中。
  三人到達(dá)摘自門口發(fā)現(xiàn)了一個穿著嫁衣的女子,女子自稱顧凌,與江宇曾定下娃娃親,此次來找江宇便是想要成親換取聘禮換糧救快要餓死的弟弟。此時軍閥張大帥的心腹陸小曼來到門前對江宇說張大帥有一筆生意要見江宇。
  江宇被脅迫來到張大帥的戲園見到張大帥,在張大帥用江淮瑞對江宇一再威脅之下,江宇無奈,只得答應(yīng),熊奎與顧凌不放心江宇一人也跟著一起下墓。
  江宇帶著張大帥和手下來到了此前卸嶺眾人進(jìn)入的墓中,但路過此前卸嶺眾人經(jīng)過的地方時發(fā)現(xiàn)之前犧牲的卸嶺力士的遺體全都不見了,此時江宇心中滿是疑惑,想起二叔江淮瑞說過這兒是傳說中的徐福墓而心生恐懼,想要逃走但不料被陸小曼攔下。無奈之下江宇、熊奎、顧凌和張大帥與一眾手下開啟了驚現(xiàn)、刺激的旅程.......

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更新時間:03月04日 22:30
主演:耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾
簡介:

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

780
1985
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主演:耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾
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