簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：《起訴老爸》講述了一個(gè)男律師有4個(gè)孩子，2男2女，他們的媽媽死了，他們的爸爸找了個(gè)繼母準(zhǔn)備結(jié)婚，結(jié)果孩子們發(fā)現(xiàn)繼母是騙錢的結(jié)了好幾次婚了，最后有個(gè)女律師(還是他們爸爸的對(duì)頭但感情微妙)被孩子們說(shuō)動(dòng)最終與他們爸爸在一起了。

簡(jiǎn)介：A group of tired commuters have caught the last train home, ready to hop into their beds for the night. However, their train soon veers off-course and crashes into an abandoned tunnel. The three surviving commuters; withdrawn mother Yi Ling, her son Lucas, and student Janice, are forced to band together and survive the night, as well as avoid the mysterious monster hunting them. Yi Ling still suffers from flashbacks to the car accident that killed her husband and nearly took Lucas` life too. When Lucas is snatched away by the monster, her maternal instincts are tested, and Janice`s ideas of family are challenged as she remembers her difficult relationship with her estranged father. Back at the subway control headquarters, the engineers do their best to make sense of the situation and rescue the survivors.

簡(jiǎn)介：本片敘述蘇聯(lián)入侵美國(guó)，并屠殺美國(guó)的居民，居民都無(wú)力反抗，此時(shí)有一群年青人聯(lián)合起來(lái)對(duì)抗入侵者……

簡(jiǎn)介：首先要聲明一點(diǎn)，站在我們眼前的大塊頭肥妞賈茲敏·比特摩爾可沒披掛什么橡膠皮囊，她是個(gè)貨真價(jià)實(shí)的肥妹有情天，雖然她在人前一副“性感肥妞”代言人的派頭，可心里壓根就不相信是因?yàn)橹径利??！　≠Z斯敏與

簡(jiǎn)介：泰國(guó)有很多古怪傳說(shuō)，這一則你肯定未聽過(guò)：刻意自殺的人，經(jīng)過(guò)祭師的特別祝福，能夠變成力量倍增的「奧巴巴迪加人」。幾位在現(xiàn)世社會(huì)受盡痛苦折磨的人，都憤而自我了斷升級(jí)成神力人獸，向社會(huì)報(bào)復(fù)。神探慰了能與邪惡的奧巴巴迪加人周旋，決定不惜一切自殺變身……

簡(jiǎn)介：改編自加拿大作家露西·莫德·蒙哥馬利（Lucy Maud Montgomery）的同名長(zhǎng)篇小說(shuō)。2016年新拍版電視電影。住在愛德華王子島艾凡里鎮(zhèn)上的一對(duì)單親兄妹馬修·卡斯伯特和瑪莉拉·卡斯伯特，原本打算領(lǐng)養(yǎng)一個(gè)男孩來(lái)幫忙農(nóng)務(wù)，但領(lǐng)養(yǎng)中心卻誤送了一個(gè)女孩給他們，這個(gè)名叫安妮·雪莉的紅發(fā)少女孤兒，滿懷豐富的想像力并且能言善道，所有的自然景物在她的想象中，都變得能說(shuō)話，有靈魂。原本發(fā)現(xiàn)弄錯(cuò)人的瑪莉拉打算將安妮送回去，但馬修卻把安妮留了下來(lái)。

簡(jiǎn)介：即將告別單身的你會(huì)有怎么樣的慶祝活動(dòng)？故事主人翁Rick的眾豬朋狗友決定為他舉行一個(gè)盛大兼瘋狂的告別單身派對(duì)。為了要Rick絕對(duì)難忘，于是眾豬朋決邀請(qǐng)了一批妓女來(lái)一起耍樂。另一邊廂，原來(lái)新娘子的姊

簡(jiǎn)介：四個(gè)聰明漂亮的女警察被派到克里索所在的警察局實(shí)習(xí)，頓時(shí)引起一片混亂和誤解，原來(lái)的幾個(gè)光桿大兵一下變得熱情十足，他們義不容辭地爭(zhēng)相教四個(gè)女警治安值勤、指揮交通等工作，結(jié)果卻笑話百出。相反女警們卻各個(gè)

簡(jiǎn)介：　　劇情是描寫一個(gè)自小與姐姐相依為命的青年女學(xué)生亞倫，為了給待在閨中的姐姐謀幸福，決定給她登報(bào)征婚，華僑富商應(yīng)征，姐姐反感之余更氣跑了富商，富商遂派其孫兒祖培想辦法撮合，祖培與亞倫結(jié)交成好友，后來(lái)更成為戀人，盡管她姐姐多方制止，他兩人終于在祖培行將上飛機(jī)離開之際，得償所愿。

簡(jiǎn)介：一個(gè)研究能源的不出名的法國(guó)物理學(xué)工作者克萊芒·蒂貝爾，1957年在維也納出席國(guó)際熱核會(huì)議途中被蘇聯(lián)一個(gè)披著交響樂隊(duì)指揮外衣的克格勃分子鮑利斯綁架去蘇聯(lián)。后來(lái)蒂貝爾在克格勃的脅迫下為蘇聯(lián)原子能研究所工作了10多年。　　16年后，蒂貝爾(化名哈里科夫)作為蘇聯(lián)科學(xué)代表團(tuán)的一名成員，到英國(guó)倫敦參觀英國(guó)新制的熱核裝置。英國(guó)反間諜機(jī)關(guān)在預(yù)謀的車禍中綁架了蒂貝爾，并送到醫(yī)院打了針劑，使之昏迷。蘇聯(lián)駐英使館人員匆匆趕到，醫(yī)生說(shuō)：“哈已死亡?！辈痪糜謧畏Q已火化。英國(guó)當(dāng)局要蒂貝爾供述混在英國(guó)科學(xué)家中的克格勃分子，蒂貝爾同意了。這些特務(wù)被一一逮捕。英國(guó)反間諜機(jī)關(guān)給了蒂貝爾一筆酬金、一支自衛(wèi)手槍，讓他回法國(guó)。克格勃知道蒂貝爾未死并已叛變潛逃，便密令部下追蹤，并把他殺死。蒂貝爾一離開英國(guó)諜報(bào)機(jī)關(guān)。就處在克格勃的包圍之中。他東躲西藏，到處逃命。他逃到法國(guó)，在小飯館里與已改嫁的妻子瑪利婭見面，感慨萬(wàn)千。短暫的相會(huì)以后，為了逃避克格勃的追蹤，又繼續(xù)逃。他偶然發(fā)現(xiàn)鮑利斯也在法國(guó)，便冒著最大的危險(xiǎn)，乘鮑利斯為日內(nèi)瓦廣播電臺(tái)錄音的時(shí)刻，設(shè)法混進(jìn)他的住處，搜出鮑利斯傳遞情報(bào)時(shí)用的樂譜作為罪證寄給了法國(guó)保安部門。法國(guó)當(dāng)局拘捕了鮑利斯?？烁癫獰o(wú)奈，只好不殺死蒂貝爾，以便取得法國(guó)釋放鮑利斯的交換條件。蒂貝爾以后的命運(yùn)究竟怎樣？看來(lái)誰(shuí)也無(wú)法預(yù)測(cè)。

簡(jiǎn)介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.