簡介：《創(chuàng)意篇》講述了電影《門前寶地》中最重要的幾段打戲的武學(xué)淵源——劍與八斬刀相生相克，由此展開武戲設(shè)計(jì)創(chuàng)意。制片人、主演向佐同時(shí)分享了第一次擔(dān)任制片人的經(jīng)歷和對武術(shù)的感悟，導(dǎo)演徐浩峰、徐駿峰介紹了《門前寶地》在功夫片里的創(chuàng)新和開拓。展現(xiàn)了電影?門前寶地?大道至簡又精益求精的籌備和拍攝過程。

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《非凡之人》深入探討了音樂家兼跨文化偶像比利·蒂普頓的人生。這部開創(chuàng)性的電影錯(cuò)綜復(fù)雜、美輪美奐，在歷史上獨(dú)樹一幟，展現(xiàn)了當(dāng)一個(gè)群體齊心協(xié)力，共同紀(jì)念一位非同尋常的英雄時(shí)，所能創(chuàng)造的奇跡。

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關(guān)于錄制 1971 年百老匯音樂劇公司演員專輯的紀(jì)錄片

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在阿拉斯加半島的盡頭，電影制作人羅曼·德魯（Roman Droux）的童年夢想終于成真。他與研究員大衛(wèi)·比特納（David Bittner）一起，在嗅覺距離內(nèi)探索野生灰熊的世界。

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回顧非裔美國電影業(yè)先驅(qū)奧斯卡·米肖的生活和工作。

簡介：　　On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music.
　　McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.