Based on the true story of Donald Crowhurst.
　　1968: An inexperienced sailor enters a round the world race which he fears he won't be able to complete yet alone win. In order to save his dignity, he decides to cheat to come last but things don't go according to plan.

　　1941年，日軍偷襲珍珠港期間，男孩Tom Hall（阿特·帕金森 飾）與一群難民朋友組隊(duì)，從貝爾法斯特動物園救出了一只象寶寶Buster，踏上了驚險(xiǎn)刺激的冒險(xiǎn)旅程。

　　影片介紹：
　　從金庸小說中走出的韋小寶通過時(shí)光隧道砸死了古龍筆下的一代大俠楚留香,于是韋小寶決心培養(yǎng)一名妓院小工成為楚留香以免改變歷史,兩個(gè)風(fēng)流的活寶就圍繞著一個(gè)洗腳女開始闖蕩江湖了...

　　龐格 (威查宇˙里拉塔納蒙肯 飾)是位內(nèi)向的高中生，雖不擅長踢足球但為了滿足父親的期望而硬著頭皮加入校隊(duì)。而相反的，萍珂 (珠拉瑞˙漢蓉柔 飾)是個(gè)個(gè)性直率且熱愛足球的女孩，她因愛慕校隊(duì)的隊(duì)長-彼克(洽查威˙德查盧朋 飾)，一心希望能進(jìn)入校隊(duì)，但礙于性別的關(guān)系而無法成功加入。但在一次偶然地意外中，龐格和萍珂兩人靈魂竟互換了!他們被迫以對方的身分和異性相處及生活，在互換的過程中他們更加明白內(nèi)心的真實(shí)感受，也無意中發(fā)現(xiàn)周遭人的秘密…而彼克也漸漸被互換靈魂的龐格吸引，最后他們的靈魂是否能成功換回?而這愛情三角習(xí)題最終會演變成什么樣的結(jié)局?

　　After the loss of his wife, BILL PONDER (Simmons) and his 17-year-old son WES move out of their small town into the big city in an attempt to have a fresh start. As they each begin to adjust to their new life and seek ways to heal their wounds, they both find comfort in newfound romance. Wes meets LACY, an introverted but fierce girl whose enigmatic personality captivates Wes' attention, and Bill meets CARINE, a compassionate and elegant teacher whose own past heartaches resonate with his. As relationships are tested, Bill and Wes grow apart and back together again while discovering their true selves in the process. Written by Cameron West

　　蘇夏美麗性感、個(gè)性獨(dú)立，被初戀許諾重傷，深陷陰影。閨蜜顧雨將公司最新研發(fā)的科技機(jī)器人引薦給女主，機(jī)器人結(jié)合大數(shù)據(jù)技術(shù)，依據(jù)許諾在網(wǎng)絡(luò)上的生活習(xí)慣語言模式生成。蘇夏從機(jī)器人身上找到了安慰，逐漸產(chǎn)生依賴。女主發(fā)現(xiàn)自己已經(jīng)愛上了機(jī)器人許諾，在與科技公司的交涉中，發(fā)現(xiàn)科技公司的驚天陰謀，她該如何抉擇？

　　幾個(gè)世紀(jì)以來，不死人之間的戰(zhàn)斗從來沒有停止過。這一次，超級強(qiáng)大的不死人凱爾從過去來到了現(xiàn)在，他的強(qiáng)大是其他不死人難以望其項(xiàng)背的，無論柯南還是鄧肯，若論單挑都不是他的對手。兩個(gè)人遭到了擁有各種絕技的惡毒暗殺者的圍攻，他倆不僅要在各個(gè)時(shí)空中穿梭聯(lián)手抗敵，最后還要其中的一個(gè)做出犧牲才能戰(zhàn)勝邪惡的力量……

　　2043年7月1日，犯罪大王將軍（盧惠光飾）被捕，一星期后由鐵面無私的法官余鐵雄（張衛(wèi)健飾）主審。將軍特派其黑社會爪牙?。ㄠ嵰两★棧┓祷?0年前尋找鐵雄，并將其洗腦使他無法進(jìn)行審判。政府知情后特派飛龍?zhí)鼐F面（劉德華飾）、掃帚頭（張學(xué)友飾）及發(fā)達(dá)星（任達(dá)華飾）返回1993年去保護(hù)鐵雄。
　　時(shí)大雄為93年一中學(xué)長期留班生，常遭同學(xué)余忌安（許志安飾）作弄毒打，只有女友采妮（楊采妮飾）對他真心。飛龍三特警混進(jìn)學(xué)校，掃帚頭當(dāng)上老師，鐵面做大雄同學(xué)，星則任大雄跟班，幫大雄打贏忌安，并向他套取鐵雄下落，但大雄卻表示校內(nèi)并無鐵雄此人。在這時(shí)健亦扮成老師混入學(xué)校，另一邊大雄母親要改嫁理查德余……最終飛龍?zhí)鼐芡瓿扇蝿?wù)嗎？

　　Rick（林峰 飾）是一個(gè)年輕有為的建筑師，他的創(chuàng)作屢獲賞識。對于愛情，他抱持游戲態(tài)度。直到一天，被車撞倒的他在天翻地覆中看見了巴士身上關(guān)于新進(jìn)女作家洛靜兒（李彩樺 飾）的海報(bào)，朦朧間想起了些什么，最終失去了知覺。
　　Rick康復(fù)后，不明所以地去接近洛靜兒，他發(fā)現(xiàn)只有靠近她，他的靈感才能源源不斷。而洛靜兒正為舊樓被拆遷而振臂高呼。Rick搬進(jìn)洛靜兒居住的大廈，雖然為了工作，但二人不可避免地互相吸引。
　　他們相愛了。不過，其實(shí)這并不是他們第一次戀愛……

　　安妮（凱特·波茨沃斯 Kate Bosworth 飾）熱愛沖浪運(yùn)動，將其視為生命的意義，只有踩在沖浪板上躍出浪尖，安妮才能找到人生的方向和信仰。安妮打算參加全美沖浪高手大獎賽，為了方便訓(xùn)練，她離開了家，來到了位于夏威夷海灘上的一間簡陋木屋中，將這里視為自己的訓(xùn)練基地。
　　和安妮一起努力奮斗的，還有她的室友伊頓（米歇爾·羅德里格茲 Michelle Rodriguez 飾）和蕾娜（Sanoe Lake 飾）等人，每天天剛蒙蒙亮，這些靚麗青春的身影就已經(jīng)出現(xiàn)在了碧藍(lán)的大海之中。就在安妮努力向夢想邁進(jìn)之時(shí)，一位名叫馬特（馬修·戴維斯 Matthew Davis 飾）的英俊男孩出現(xiàn)在了安妮的身邊，兩人墜入情網(wǎng)。

　　An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.
　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"
　　About the director
　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.