簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

簡(jiǎn)介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.

簡(jiǎn)介：自與約翰分手已有30年后，瑪麗安隱約感到約翰還需要她，于是她決定到約翰鄉(xiāng)下的家里去看望這個(gè)別了30年的老男人。他過(guò)著富足但與世隔絕的生活，在兩個(gè)人之間，盡管很多年過(guò)去，當(dāng)初的情感依然非常真實(shí)。在那里，瑪麗安認(rèn)識(shí)了約翰與前妻的兒子恩里克，以及恩里克21 歲的女兒卡琳娜，他們住在離約翰家不遠(yuǎn)的地方，但這老少三代人似乎并不和諧，瑪麗安感到了卡琳娜對(duì)父親恩里克的愛(ài)和約翰對(duì)兒子的不滿，三個(gè)心靈都非常孤獨(dú)的人之間有著似乎無(wú)法消除的隔膜和愛(ài)恨交織的復(fù)雜情感。

簡(jiǎn)介：健身房經(jīng)理盧（克里斯汀·斯圖爾特 Kristen Stewart 飾）愛(ài)上了健美運(yùn)動(dòng)員杰姬（凱蒂·M·奧布萊恩 Katy M. O'Brian 飾），后者來(lái)到拉斯維加斯追尋健美夢(mèng)想。她們卷入了一個(gè)暴力事件，背后正是盧的父親締造的犯罪網(wǎng)絡(luò)。

簡(jiǎn)介：本片根據(jù)弗洛倫斯·奧貝納斯撰寫(xiě)的小說(shuō)《烏斯特雷姆的碼頭》改編，比諾什飾演一位知名作家，她想要通過(guò)親身體驗(yàn)去撰寫(xiě)一部有關(guān)工作狀態(tài)中不安感的書(shū)。她化身成清潔女工，在工作中發(fā)現(xiàn)每一元錢對(duì)生活都很重要，而這是社會(huì)上很多階級(jí)看不見(jiàn)的層面。當(dāng)她經(jīng)歷過(guò)這場(chǎng)考驗(yàn)，她與一些不幸的同伴結(jié)下了真正的友誼，溫暖而且快樂(lè)的關(guān)系。

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最好的朋友丹妮絲和約翰尼欠下了毒販的巨額債務(wù)，他們同意做一件卑鄙的工作來(lái)償還他們上一次的罪孽——闖入一間破舊的藏匿處偷走一袋神秘毒品。但是，雖然進(jìn)入房子可能很容易，但逃跑卻更加困難，因?yàn)樗麄儼l(fā)現(xiàn)自己被困在里面，里面還有一個(gè)精神錯(cuò)亂的惡魔。沒(méi)有出路，也不想錯(cuò)過(guò)機(jī)會(huì)，約翰尼吸食了新毒品，并迅速回到了過(guò)去，引發(fā)了未來(lái)令人震驚的新事件。穿越時(shí)空，丹妮絲獨(dú)自面對(duì)她的過(guò)去、毒販凱恩的真實(shí)身份以及她自己的存在。

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第二次世界大戰(zhàn)后在英國(guó)被安置和重建的大屠殺兒童的悲慘故事，并最終使人得以肯定。它始于新大陸的不確定性和恐懼，但最終導(dǎo)致了所有人都珍惜的希望和善意以及終生的友誼和幸福。

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　　天界唐墨（男一）被天神趕下凡間歷練,成為了一家大排檔的廚師。一天，神秘老人邀請(qǐng)他參加“巔峰廚神爭(zhēng)霸賽”，并允諾可以獲得50億的獎(jiǎng)金。唐墨在參賽過(guò)程中，憑借驚人的廚藝天賦引起眾人關(guān)注，然而這也引來(lái)了黑幫背景對(duì)手的殺身之禍。唐墨危難中按照神秘老人的指示逃亡到“五味村”，這里聚集著天下各大菜系的隱士高手。打算放棄和退縮的唐墨，在神秘老人和六大隱士高手的幫助下，最終決定不顧一切，與勁敵展開(kāi)一場(chǎng)史無(wú)前例、驚天動(dòng)地的巔峰對(duì)決。

簡(jiǎn)介：詹姆斯生在漁民家庭，父母不希望他過(guò)漂泊海上的危險(xiǎn)生活，想讓他念完法學(xué)院，離開(kāi)漁港去城里定居。但是18歲的詹姆斯渴望成為一名像父親那樣的真正的漁夫，夢(mèng)想有一天駕駛父親的船出海捕魚(yú)。他不顧父母的強(qiáng)烈反對(duì)，在一艘名叫“凱爾特號(hào)”（Cape Keltic）的漁船上找了一份工作，體驗(yàn)到向往已久的大海的美麗，也體會(huì)到漁夫的艱辛。詹姆斯堅(jiān)持不懈的努力得到了船長(zhǎng)的賞識(shí)，但父親仍然反對(duì)他的選擇，似乎有什么秘密瞞著他……

簡(jiǎn)介：Ozgur a young boy who lost his parents since childhood was heir to his grandfather's wealth but there is one condition that he has to live a while in a village otherwise it will be donated to a charity.ozgur will go to that village and he ran in to a girl named elif

簡(jiǎn)介：這是一群高智商男生們的故事。二十世紀(jì)八十年代，英國(guó)北部的一所男子中學(xué)里，八個(gè)高中生正積極準(zhǔn)備著牛津和劍橋大學(xué)的招生考試。這幾個(gè)男生性格各異。有萬(wàn)人迷，自視甚高的Dakin（多米尼克?庫(kù)珀 Dominic Cooper 飾）；有四肢發(fā)達(dá)頭腦不簡(jiǎn)單的Rudge（拉塞爾?托維 Russell Tovey 飾）等。他們對(duì)課本對(duì)知識(shí)有屬于自己的解讀?！　〗趟麄兾膶W(xué)的是個(gè)肥胖，教學(xué)方式獨(dú)特的怪老頭Hector（理查德?格雷弗斯 Richard Griffiths飾），他主張學(xué)生通過(guò)課本獲得情感上的共鳴和享受，而不是單純?yōu)榱松龑W(xué)而讀。與他教學(xué)模式相反的則是學(xué)校新聘請(qǐng)的老師Tom（斯蒂芬?坎貝爾?莫爾 Stephen Campbell Moore 飾）。Tom的目標(biāo)則是協(xié)助這些孩子盡可能考上牛津或劍橋。兩種老師的兩種教學(xué)模式，究竟孰優(yōu)孰劣，或許并沒(méi)有一個(gè)標(biāo)準(zhǔn)答案。