講述一位冷酷無(wú)情的殺手在僥幸逃脫致命襲擊后，為了尋求寬恕而背叛了他的幫派，但最終他自己也成為了目標(biāo)。

　　講述小鎮(zhèn)私家偵探哈尼·奧多納休（瑪格麗特·庫(kù)里 Margaret Qualley 飾），深入調(diào)查一系列與一座神秘教堂有關(guān)的離奇死亡事件。

奧利維亞老師注意到她的一些學(xué)生失蹤了，當(dāng)她發(fā)現(xiàn)自己與一個(gè)兒童綁架者戰(zhàn)斗時(shí)，她面臨著自己過(guò)去麻煩的惡魔-一個(gè)不擇手段不放棄被盜兒童的神話生物。

　　Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.
　　Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.
　　At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.