得知痛苦的真相后，一名廚師和其餐館合伙人好友前往坎昆參加烹飪大賽，希望重燃對生活的熱情

　　フウとスズは、ふたりで旅をしている女の子。目的は、子豚のプープーの墓參りだ。途中、ふたりはスズの赤ちゃんを父親の木嶋という男に見せに立ち寄ることになる。ところが、そのことを知った木嶋はビックリ。スズとの間に出來た子は、2年前に盲目の殺し屋?ジョージに始末させた筈だったからだ。焦った木嶋は、ジョージから拳銃を奪うと自らの手で赤ちゃんを始末しようと準備する。一方、そんなこととは知らないフウとスズは、プロゴルファーのオープンカーを盜んだり、赤ちゃんを奪おうとす

　　一名全職爸爸辛苦多年，終于可以趁妻兒不在家享受Me Time。他與昔日的死黨重逢，過了一個瘋狂周末，卻差點令自己的人生天翻地覆。

　　黑白畫面，慵懶的爵士樂，不求上進的主人公和無傷大雅的小笑話，影片一開擁有某種伍迪·艾倫電影的氣氛。這部來自德國導(dǎo)演楊·奧雷·格斯特的處女作敘述了一名普普通通的柏林年輕人生活中的瑣事。成名于《希特勒的男孩》的湯姆·希林已經(jīng)是而立之年但依舊長相天真，他飾演主人公尼克·菲舍(Niko Fischer)是一名法律大學(xué)的輟學(xué)生。尼克瞞著自己的父親，每月依舊從父親哪兒領(lǐng)取生活費。除此而外，他的生活可以稱得上是無所事事。為此女朋友和他分手，之后尼克搬到了新住處，在那里遇到了深陷中年危機的新鄰居(尤斯特斯·范·多諾尼)。誠然，尼克時常感到無聊得很，他卻不愿意做出任何改變。直到被父親發(fā)現(xiàn)了輟學(xué)的事實，尼克的生活來源就此中斷。盡管如此，觀眾卻對銀幕上無所事事的尼克充滿了同情心。尼克有位死黨馬特澤(馬可·豪斯曼)是一名不太成功的演員，他正在演出一部二戰(zhàn)題材的煽情劇。影片的男主角是一名納粹分子(安德·克拉維特)，沒想到，在片場這名演員卻給尼克帶來了一次意想不到的經(jīng)歷。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
　　imdb comment

青年郭振華（成龍 飾）赴港謀求發(fā)展，路見不平之下卷入兩派黑幫爭斗，卻陰差陽錯做了幫派大哥，郭振華反思此一段奇遇，發(fā)覺是街邊賣花的玫瑰夫人（歸亞蕾 飾）將好運帶給了自己，自此談判、出門前總要購買玫瑰夫人的玫瑰以求心安。郭振華將幫派所屬麗池飯店改為夜總會經(jīng)營，飯店前任老板之女楊露明（梅艷芳 飾）出于還債在夜總會表演結(jié)果大紅大紫，郭楊二人更發(fā)展出了一段戀情。覬覦夜總會生意多時的福建幫頻頻向郭振華發(fā)難，郭一如既往向玫瑰夫人求運，意外發(fā)現(xiàn)玫瑰夫人正身陷更大的麻煩，原來她為使外地的女兒安心讀書編造了自己堂皇的身份，而眼下終于面臨戳穿，郭出于感激幫助玫瑰夫人圓謊，由此引發(fā)了連環(huán)笑料…… 　　本片根據(jù)Frank Capra的作品《一日貴婦》改編，大量香港明星在本片中客串演出。