簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：　　Katherine of Alexandria, brought up as a nomad and living in the desert, was aged just 11 when Emperor Maxentius saw her whilst out on patrol. Consumed by her beauty, impudence and uncanny talent for languages, he abducted the child, killing her family. The slaughter was witnessed by her young friend, Constantine, who would later become Emperor of the Western Roman Empire. He never lost hope of finding Katherine. As a young woman, Katherine refused to submit to Maxentius' offers of marriage and she continually denounced his brutal enforcement of pagan religion upon the masses. Still obsessed with her beauty, Maxentius brought Katherine before 50 of Rome's finest scholars in an open court in Alexandria, where she eloquently demolished their arguments. When Constantine learned of Katherine's whereabouts and imprisonment at the hands of Maxentius, he led his army from York in a desperate bid to save her.

簡(jiǎn)介：講述了 Bea 的故事，她是一個(gè)十幾歲的幽靈，她與鎮(zhèn)上的新人科爾建立了特殊的友誼，她已經(jīng)在科爾的房子里居住了 100 多年。

簡(jiǎn)介：　　1970年代初，南越敵艦不顧國(guó)際法約束，經(jīng)常竄入我西沙海域騷擾，嚴(yán)重影響我邊疆漁民海上作業(yè)。居住在西沙群島的于化龍（唐國(guó)強(qiáng) 飾）一家祖祖輩輩生活在這里，一天，正在海上捕魚(yú)的一家人遭遇闖入我領(lǐng)海的南越10號(hào)艦，阿爸（高保成 飾）駕漁輪和敵艦展開(kāi)周旋，但最終漁輪被敵艦撞翻，全家人落入大海。幸而被我趕來(lái)的海軍救起，于化龍決定報(bào)名參軍，保衛(wèi)祖國(guó)海防。入伍后，于化龍從一個(gè)普通水兵成長(zhǎng)為艦長(zhǎng)，上級(jí)命令嚴(yán)懲不斷入侵的南越艦艇，于化龍的阿爸和妹妹（洪學(xué)敏 飾）也參加了海戰(zhàn)。戰(zhàn)斗中，我艦中彈受損，于化龍急令修復(fù)，并一舉收復(fù)了甜水島，擊潰了登島的敵人，敵艦長(zhǎng)也命喪黃泉......

簡(jiǎn)介：　　一個(gè)真實(shí)的故事。八個(gè)恐怖份子潛入孟買，計(jì)劃在24小時(shí)發(fā)起一場(chǎng)針對(duì)平民的戰(zhàn)爭(zhēng)。

簡(jiǎn)介：　　Eli?ka moves back with her daughter Karolínka to her husband’s native village. But something strange is going on and, as the temperature rises, Eli?ka becomes increasingly jittery. Fear is all-pervading and spectres move freely between dream and reality. The Noonday Witch is both an atmospheric horror film and a psychological drama, deftly toying with the viewer’s senses.