簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

簡(jiǎn)介：盡管妻子渴望孩子，年輕丈夫卻希望借她之腹，以胚胎移植的方式誕下因癌癥離世的前未婚妻的后代。圍繞著婚姻危機(jī)中的女主角面臨的個(gè)人、法律和道德困境，影片一方面通過(guò)生殖科學(xué)技術(shù)的倫理尺度討論了由此限制母親身份的特殊社會(huì)環(huán)境，也開(kāi)放性地表達(dá)了母子之間的生物學(xué)關(guān)聯(lián)是否作為“母愛(ài)”概念的必要前提的質(zhì)疑。該短片入圍2017年學(xué)生奧斯卡最佳外國(guó)劇情片獎(jiǎng)，是土耳其導(dǎo)演哈利特?伊茲在科隆媒體藝術(shù)學(xué)院(KHM)的第二部短

簡(jiǎn)介：

暫無(wú)簡(jiǎn)介.

簡(jiǎn)介：

庭獨(dú)居于桃花島，自稱桃花島主。與好友聰一起任沙灘救生員的工作。庭一直暗戀相識(shí)兼相知十年的好友敏，但不敢透露愛(ài)意，后來(lái)發(fā)現(xiàn)敏竟有十二年的夢(mèng)中情人——辛加力，更加消極無(wú)奈。庭與聰二人某夜誑一間從未去過(guò)的“夢(mèng)幻成真”鐳射影碟店，好奇心驅(qū)使他們二人入去參觀，不由自主買(mǎi)下了幾張鐳射女郎影碟回家解悶。庭和聰?shù)拿\(yùn)由此改變時(shí)空開(kāi)始逆轉(zhuǎn)：鐳射女郎竟可以活生生從電視屏幕中走出來(lái)…… 　　演員表： 　　拉塞爾·王——Zeniger 　　張堅(jiān)庭——庭 　　周慧敏——Liza 　　Paul Fonoroff——Laserdisc Shop Clerk 　　李麗珍——Janet 　　莫少聰——聰 　　黃沾——Uncle Wah 　　黃光亮——Ugly Guy in Supermarket 　　葉玉卿——Siu-Yuk