孤兒威姆（Tygo Bussemakers 飾）渴望進(jìn)入學(xué)堂，但遭到院長(zhǎng)拒絕，威姆私自出逃，被污蔑盜竊，警察將其關(guān)押到看守室，一只機(jī)靈的猴子幫他打開門鎖，一人一猴相依為命勇敢踏上了未知的旅程...孩子從不畏懼表達(dá)渴望、完成渴望，面對(duì)強(qiáng)權(quán)的警察和孤兒院院長(zhǎng)，威姆堅(jiān)持自己上學(xué)的夢(mèng)想，而世人眼中供人娛樂的猴子和弱勢(shì)的兒童之間又有著怎樣奇妙的友誼與旅程呢？

講述一個(gè)一毛不拔的小提琴家被一個(gè)愛慕者和突然找上門來的女兒一起改造的故事。

　　Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.
　　Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.
　　At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.

夏洛特前往非洲，打算開一家度假酒店，卻遇到了她分居的丈夫維克托和象牙走私者。

七年前，日本駐英領(lǐng)事館發(fā)生了一起致命性的中毒事件，而唯一的幸存者也被國(guó)際犯罪組織劫走。出于政治原因，日本政府決定將此事隱瞞了下來。 七年后，前國(guó)際犯罪情報(bào)事務(wù)局理事馬克·劉來到日本追查犯罪組織頭目渡鴉的蹤跡。東京警視廳派出特別干員杉下右京及冠城亙前往協(xié)助。然而，警方的第一個(gè)線人很快就被一個(gè)神秘的黑衣男子殺害。不久后犯罪組織入侵了外交部的官方網(wǎng)，并放出一段錄像，在錄像中的正是七年前失蹤的幸存者，鷺澤瑛里佳。組織向日本政府索要9億日元，并揚(yáng)言如果不服從要求，數(shù)百萬人將會(huì)見證日本的毀滅……