簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb

簡介：二十年來，般奴和馬力克生活在一個不同的世界當(dāng)中，那是一個屬于患自閉癥的兒童和青少年的世界。他們二人分別管理The Hatch The Shelter兩個非牟利機(jī)構(gòu)，目標(biāo)在貧困地區(qū)培訓(xùn)年青人擔(dān)任守護(hù)工作，負(fù)責(zé)照顧一些被其他機(jī)構(gòu)拒于門外的重度患者個案。這非傳統(tǒng)的合作關(guān)系展現(xiàn)了非一般的人生。

簡介：

事業(yè)有成的青年女企業(yè)家芊芊在出差途中私人飛機(jī)遭遇氣流，飛機(jī)發(fā)生了事故掉入海中，她醒來后成了古代的妙善公主。在這里以石妖為首的妖魔肆意作惡，芊芊救下了韋將軍，并與韋將軍、妙善的未婚夫青冥、神箭手烏尤和祭司玄幻組成了除妖團(tuán)隊，前往無稽山尋找傳說中克制石妖的法器枯木法杖。青冥看不慣韋將軍對芊芊熱情，兩人時時針鋒相對，在芊芊的費力安撫兩人才摒棄前嫌。眾人在磨難中成長，團(tuán)隊的凝聚也逐漸加強(qiáng)，歷盡千辛萬苦后，最終拿到了法器。石妖得知后，設(shè)計殺害烏尤和玄幻，毀了法器。芊芊在悲痛中感悟到博愛眾生不是殺妖除惡，而是以佛心收伏其心魔。芊芊直面石妖，犧牲自我解除了石妖心魔。芊芊也回到了現(xiàn)實，對生活也有了新感悟。

簡介：一對姊妹凱特（琪蘭席普卡 飾）和蘿絲（露西波頓 飾）就讀的貴族高中開始放寒假，奇異的是她們的父母卻不知何故無法前去接她們，姊妹倆因此被困在疑云密佈的校園異空間，并且在孤立的學(xué)校發(fā)現(xiàn)毛骨悚然的怪事一件接一件發(fā)生……另一方面，心事重重的年輕女人瓊（艾瑪羅伯茲 飾）為了一個祕密，必須盡快趕到這所學(xué)校。當(dāng)瓊接近學(xué)校時，凱特遭受到恐怖幻象折磨，蘿絲的神智也瀕臨失守，但是為了脫離邪惡意志的掌握，三人必須通力合作……

簡介：《緣滿情人節(jié)》　　艾莉絲姬迪娜 Alexis Kendra　　脫衣舞孃　分手神傷　　精神恍惚　只剩肉體　　一生所愛被人佔有　　妒嫉心完全爆發(fā)　　究竟這是妄想　還是真實？　　除了不讓別人得到你　　要讓更多的人嚐過我　　愈墮落　真的愈快樂？　　心神恍惚的脫衣舞女郎，因被男友甩了，跌落悲痛的旋渦。百仁是維納斯的一生所愛，單是幻想他和別的女人發(fā)生關(guān)係，就讓她墮進(jìn)性瘋狂的深淵，永不超生。同為編劇的艾莉絲姬迪娜，於這情色驚悚片中飾演維納斯。電影性感得讓人熱血沸騰又觸目驚心，尤如拜仁狄帕瑪　　和波蘭斯基非常風(fēng)格化的作品。

簡介：本劇以鳳城市委為了向全球推廣鳳城的飲食和旅游文化，特舉辦了首屆“全球華人中華廚王爭霸賽”，邀請全球有華人血統(tǒng)的廚師匯聚鳳城交流廚藝比賽，爭奪“中華廚王”的稱號。鳳城已經(jīng)過逝的國寶級大廚師黃師傅有三個徒弟：阿中、阿華、阿仁，他們于15年前，黃師傅過逝后不久便分開了。阿中留在鳳城開了一家餐飲店“龍騰山莊”，他秉承師父的遺訓(xùn)“真心實意，真材實料”做人做事；阿華貪戀西方的生活，嫁給一個美國華裔，移居到了美國，不久后卻因為性格不合而離婚。阿仁偷渡去了香港，因為黑戶的身份，在香港也很難生活，只是靠在小餐館打零工渡日。分散近15年的師兄（姐）弟，在“全球華人廚王爭霸賽”的召喚下又重新一起相聚在鳳城，共同研討當(dāng)年師父留下的“天下第一菜”的菜譜。但這“天下第一菜”的菜譜看似簡單，實質(zhì)卻是很不同尋常，艱奧難懂。眾人經(jīng)過幾番曲折之后，定下心來細(xì)細(xì)思量，才真正領(lǐng)悟了師父的本意，才真正領(lǐng)悟了廚房的終極秘密。

簡介：

影片最初的場景中，故事里的人物進(jìn)入一個孩童的夢，試圖通過尋找夢境中陌生且熟悉的記憶影像，回到童年。 　　影片以導(dǎo)演私人化的記憶出發(fā)，靜態(tài)影像來自導(dǎo)演回到童年生活的村莊拍攝的圖像和舊時膠片，透過夢境中記憶與當(dāng)下互相滲透，從而探索“人”在心理層面如何處理創(chuàng)傷。

簡介：Jerry Harford認(rèn)為老婆背著自己外遇，他最好的朋友鼓勵他以眼還眼，但卻導(dǎo)致不堪的恐怖后果。Jerry開始陷入一個沒有終點的超自然惡夢，好似暗黑版的《致命的吸引力》（Fatal Attraction）。

簡介：　　Five haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…

簡介：

一家人在餐桌上談?wù)撍麄兲飯@般的橄欖農(nóng)場的未來。在談笑和坦白間，他們之間復(fù)雜的關(guān)系展露出來。

簡介：Filming a vampire flick in an old, abandoned manor house should have worked like a dream, but the film crew is out of their depth, over schedule and desperate to get the shoot finished and go home.However, as the moon turns full, the nightmare begins. Blood flows and the body count rises as cast and crew meet the manor’s resident werewolf…”