Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.
　　Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.
　　At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.

夏洛特前往非洲，打算開一家度假酒店，卻遇到了她分居的丈夫維克托和象牙走私者。

七年前，日本駐英領(lǐng)事館發(fā)生了一起致命性的中毒事件，而唯一的幸存者也被國(guó)際犯罪組織劫走。出于政治原因，日本政府決定將此事隱瞞了下來。 七年后，前國(guó)際犯罪情報(bào)事務(wù)局理事馬克·劉來到日本追查犯罪組織頭目渡鴉的蹤跡。東京警視廳派出特別干員杉下右京及冠城亙前往協(xié)助。然而，警方的第一個(gè)線人很快就被一個(gè)神秘的黑衣男子殺害。不久后犯罪組織入侵了外交部的官方網(wǎng)，并放出一段錄像，在錄像中的正是七年前失蹤的幸存者，鷺澤瑛里佳。組織向日本政府索要9億日元，并揚(yáng)言如果不服從要求，數(shù)百萬人將會(huì)見證日本的毀滅……

Marshal Jake Wade aids outlaw Clint Hollister escape jail but Clint wants to know where Wade hid an old hold-up loot taken while both men were outlaws in the same gang