簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：

續(xù)弦的老伴去世后，老葛（許還山 飾）在非血緣關(guān)系的兒女家處境尷尬，而跟兒子（韓童生 飾）的關(guān)系也始終沒有松動(dòng)。無奈之下，老葛輾轉(zhuǎn)來到關(guān)山老人院，尋找當(dāng)年同在一個(gè)單位的好友老周（吳天明 飾）。老周熱情開朗，平日里組織這里的老人們參加各種各樣的文體活動(dòng)。為了實(shí)現(xiàn)各自人生最后的價(jià)值，這群老伙伴們毅然決定排練節(jié)目去天津參加比賽?？墒?，衰老與疾病讓院長（顏丙燕 飾）無法下定決心開綠燈，而意外的事故更促使她對老周他們的表演下了禁止令。

簡介：美國的塔爾薩，17歲的詹姆斯有一個(gè)綽號(hào)叫“摩托車手”的哥哥?！澳ν熊囀帧笔且粋€(gè)傳說中的神奇人物，擅于打架斗毆，并是一個(gè)天生的青年幫會(huì)的領(lǐng)袖。一天晚上，詹姆斯和女朋友帕蒂約會(huì)時(shí)碰到了號(hào)稱“打架大王”的威爾科斯，“打架大王”向詹姆斯挑釁，兩人打成一團(tuán)。詹姆斯不是對手，多處受 傷，在這關(guān)鍵時(shí)刻，消失了兩個(gè)星期的“摩托車手”突然出現(xiàn)了，趕走了“打架大王”，并照料詹姆斯。厭倦了過去生活的“摩托車手”同黑社會(huì)脫離了關(guān)系，行蹤不定，但仍享有很大的名氣。由于經(jīng)常逃學(xué)，詹姆斯被學(xué)校開除了，帕蒂也同他分了手。一天，詹姆斯在一家動(dòng)物商店發(fā)現(xiàn)了“摩托車手”，哥哥將一些紅、藍(lán)兩色的暹羅斗魚指給弟弟看，并告訴他：這些魚如果被關(guān)在密閉的容器里就會(huì)相互廝殺，直至死亡?！澳ν熊囀帧币獙㈠吡_斗魚帶到河邊去放生，這樣它們就不會(huì)自相殘殺。但就在他走到河邊的時(shí)候，卻被警察開槍打死。詹姆斯遵循著哥哥最后的指示，帶著暹羅斗魚，騎上摩托車，直向大海而去。

簡介：

道姆·柯布（萊昂納多·迪卡普里奧 Leonardo DiCaprio 飾）與同事阿瑟（約瑟夫·戈登-萊維特 Joseph Gordon-Levitt 飾）和納什（盧卡斯·哈斯 Lukas Haas 飾）在一次針對日本能源大亨齊藤（渡邊謙 飾）的盜夢行動(dòng)中失敗，反被齊藤利用。齊藤威逼利誘因遭通緝而流亡海外的柯布幫他拆分他競爭對手的公司，采取極端措施在其唯一繼承人羅伯特·費(fèi)希爾（希里安·墨菲 Cillian Murphy 飾）的深層潛意識(shí)中種下放棄家族公司、自立門戶的想法。為了重返美國，柯布偷偷求助于岳父邁爾斯（邁克爾·凱恩 Michael Caine 飾），吸收了年輕的夢境設(shè)計(jì)師艾里阿德妮（艾倫·佩吉 Ellen Page 飾）、夢境演員艾姆斯（湯姆·哈迪 Tom Hardy 飾）和藥劑師約瑟夫（迪利普·勞 Dileep Rao 飾）加入行動(dòng)。在一層層遞進(jìn)的夢境中，柯布不僅要對付費(fèi)希爾潛意識(shí)的本能反抗，還必須直面已逝妻子梅爾（瑪麗昂·歌迪亞 Marion Cotillard 飾）的處處破壞，實(shí)際情況遠(yuǎn)比預(yù)想危險(xiǎn)得多…

簡介：鄧不利多死后，伏地魔與食死徒入侵魔法學(xué)校，魔法部也被伏地魔的爪牙操控，邪惡的陰云籠罩魔法世界上空。在哈利·波特17歲生日之際，鳳凰社成員及一眾好友護(hù)送他回到了鳳凰社的據(jù)點(diǎn)陋居，然而這立即遭到食死徒毀滅性地打擊。哈利和羅恩、赫敏僥幸逃亡，并且按照鄧不利多的囑托繼續(xù)尋找伏地魔的魂器。死亡的威脅時(shí)刻逡巡左右，他們還要面對友情的考驗(yàn)。在尋找摧毀魂器方法的過程中，死亡圣器的面紗也漸漸揭開。與此同時(shí)，為了置哈利于死地，伏地魔也在尋找最后一件死亡圣器。最后的決戰(zhàn)即將到來…

簡介：到東京發(fā)展模特兒事業(yè)的明日香，在友人葵的介紹下到香純的家居住。香純過去也當(dāng)過模特兒，但隨著她身邊的人一一死去，香純是「惡魔」之說不逕而走。與此同時(shí)，在她們住所對面的酒店發(fā)生恐怖殺人事件。受害者不但活生生被支解，尸體更被看成藝術(shù)品般加上裝飾，并有兇手留下黑色的唇印。然而，這一切只是明日香和香純惡夢的開始……

簡介：故事發(fā)生在偏僻貧瘠的山村之中。張保民（宋洋 飾）是一名礦工，一天，他被妻子翠霞（譚卓 飾）叫回了家，原來，他們的兒子失蹤了。帶著兒子的照片，不會(huì)說話的張保民踏上了尋子之路，途中，他遇見了大資本家昌萬年（姜武 飾）的爪牙，兩方人馬起了沖突，昌萬年騙張保民自己知道他兒子的下落，實(shí)際上，他隱藏了一個(gè)黑暗的秘密。昌萬年一直靠著行賄非法收購煤礦以牟取暴利，身為他的律師，徐文杰知道了太多不可告人的秘密。公檢法機(jī)構(gòu)開始著手調(diào)查昌萬年的公司，徐文杰在這個(gè)節(jié)骨眼上玩起了失蹤。為了逼迫徐文杰就范，昌萬年綁架了他的女兒。

簡介：

大俠段長青（狄龍 飾）在一小鎮(zhèn)得遇名妓柳銀絮（施思 飾），柳懇求段殺死現(xiàn)以“神醫(yī)”為名的黑道高手郭天勝（谷峰 飾），為其被哥哥報(bào)仇。段聯(lián)同鎮(zhèn)內(nèi)賭坊護(hù)衛(wèi)高門（傅聲 飾）殺入郭家， 正邪兩派惡斗連場……

簡介：

　　這是部喜劇，偽裝成了紀(jì)錄片，安迪·薩姆博格和“雪諾”基特·哈靈頓飾演兩位網(wǎng)球選手，在2004年的一場比賽中，打了整整七天。凱倫·吉蘭、莉娜·鄧納姆、邁克爾·辛、小威、約翰·麥肯羅、威爾·福特客串。7月11日HBO臺(tái)播出。

簡介：清朝初年，朝廷有令民間不得習(xí)武，少林寺方丈深知這是清廷視武學(xué)發(fā)源地的少林寺為肉中刺欲除掉的結(jié)果，預(yù)感少林寺遲早會(huì)遭大劫，決定廣收俗家弟子予以栽培，將少林絕學(xué)遍布民間，以期造成“野草燒不盡”之勢。消息一出，渴望習(xí)武的血性男兒紛紛響應(yīng)，其中以方世玉（傅聲 飾）、胡惠干（戚冠軍 飾）、洪熙官（韋弘 飾）等人求武之心最誠，終入少林寺大門，與他們一同入寺的還有胡德帝（姜大衛(wèi) 飾）、蔡德忠（狄龍 飾）等反清義士。眾人雖為大義而來，各人心里卻有不同的想法。成為正義一方的方世玉與胡德帝等人以少林絕學(xué)了卻自己的仇恨后，發(fā)覺清兵已對少林寺展開偷襲行動(dòng)，決意為少林寺赴湯蹈火。

簡介：Norman Taylor is a successful young professor, married with Tansy Taylor. He is a very skeptical man, while his wife believes in magic and witchcraft. One day, he finds lots of amulets and witchcraft in his house, and he decides to destroy all of them. His wife gets scared and advises him that he destroyed all the protection their home and lives had against the evil of envious and wicked persons, including some of his colleagues. Norman in principle does not have faith in her, but many strange events happen with him, and he changes his mind

簡介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.