簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：一次偶然中，厭世的流亡作家費(fèi)爾南多（Germán Jaramillo 飾）結(jié)識(shí)了名叫亞歷山大（Anderson Ballesteros 飾）的年輕小伙，后者的青春與活力很快就讓費(fèi)爾南多放棄了輕生的念頭。然而，亞歷山大出身于梅德林最貧困的地區(qū)，那是哥倫比亞罪犯?jìng)兊奶焯?，每天，都有無(wú)數(shù)的人在那里死去，無(wú)人問(wèn)津。從小在那里長(zhǎng)大的亞歷山大自然習(xí)慣了梅德林的一套生存法則，盡管這讓費(fèi)爾南多十分無(wú)法接受，但兩人還是跨越了年齡和性別的阻礙，走到了一起。遺憾的是，一次暴力事件中，為了保護(hù)費(fèi)爾南多，亞歷克斯身中數(shù)槍死亡，傷心的費(fèi)爾南多第一次決定用暴力解決問(wèn)題，他要提自己的愛(ài)人報(bào)仇。?豆瓣

簡(jiǎn)介：Nicolas Cage飾演Paul Matthews，一個(gè)擁有終身教授頭銜的平平無(wú)奇家庭男子，熱愛(ài)進(jìn)化生物學(xué)以及對(duì)自己的一事無(wú)成感到焦慮。有一天，他發(fā)現(xiàn)自己出現(xiàn)在別人的夢(mèng)中。和生活中一樣，他在這些夢(mèng)中的存在是平庸和非侵入性的——他只是在那里，冷漠地盯著陌生人的幻想和噩夢(mèng)。盡管如此，他一夜之間成為了一名名人，享受著爆火的洗禮。但是，保羅逐漸發(fā)現(xiàn)這是一個(gè)潘多拉的盒子，夢(mèng)中的自己開始莫名思妙地變得暴力……

簡(jiǎn)介：

Brussels. Leo, a Spanish metro driver, while conducting his train and arriving at a station, sees a young man in distress on the edge of the platform. He recognizes his son Hugo right before he falls onto the rails and then dies at the hospital. Leo, who had not seen his son for years, will discover that he was involved in a bloody heist. While on the trail of his son’s murdere...

簡(jiǎn)介：どうしようもない人生でも生きていかなくちゃいけないデリヘル嬢たちの姿を描く。山田佳奈監(jiān)督自身の同名舞臺(tái)初の映畫化にして、長(zhǎng)編デビュー作。主人公カノウ役を伊藤沙莉が務(wù)める。

簡(jiǎn)介：在紐約皇后區(qū)郊一家廢舊汽車站工作，青春年少的拉丁男孩Alejandro生活過(guò)的窮困潦倒，在這個(gè)混亂的成人的世界里，他努力的讓自己與他一直相依為命的姐姐過(guò)上更好的生活~

簡(jiǎn)介：

金剛（許冠杰 飾）與光頭佬（麥嘉 飾）在一次泰國(guó)的任務(wù)中不歡而散，自此分道揚(yáng)鑣各奔前程……時(shí)間一晃三年，國(guó)寶兵馬俑與秦皇寶劍在赴港展出的路上被白手套一伙施調(diào)包計(jì)竊走，自稱“新最佳拍檔”的飛賊姐弟（利智&張國(guó)榮 飾）再由白手套手中奪走寶劍，并高調(diào)登報(bào)嫁禍于最佳拍檔。一時(shí)間，大陸方面派出的中國(guó)藍(lán)波（李元霸 飾）與白手套等人均認(rèn)為退出江湖的最佳拍檔是奪劍人，對(duì)金剛和光頭佬展開連番追捕。最終兩個(gè)老搭檔終于澄清誤會(huì)，聯(lián)合飛賊姐弟接受大陸方面的艱苦訓(xùn)練，以期能夠?yàn)楸Ｗo(hù)國(guó)寶而戰(zhàn)…… 　　本片是《最佳拍檔》系列電影的第五集。

簡(jiǎn)介：11歲的東尼接受拳擊訓(xùn)練，然而她被隔壁舞道教室吸引，偷偷私下練習(xí)，并為自己穿耳洞，希望加入那些女孩的行列。女孩們相繼出現(xiàn)抽搐、奇怪的癥狀，仿佛是一種成長(zhǎng)的象征，也使得東尼陷入想被認(rèn)同卻又猶疑這樣的詭異情景的矛盾之中。

簡(jiǎn)介：　　Golden Bear winner Peter Mackie Burns has started shooting his London-set debut feature Daphne, production company The Bureau has revealed.
　　Emily Beecham [pictured] - who features in the cast of Berlinale opening film Hail, Caesar! - plays the titular Daphne, a young Londoner with a frenetic lifestyle who decides she needs to change her life after witnessing a violent robbery.
　　The Bureau producers Tristan Goligher and Valentina Brazzini developed the project in-house. The BFI and Creative Scotland are the main financiers of the film, together with The Bureau.
　　The company’s Paris-based sister company, The Bureau Sales, is handling international rights.
　　Mackie Burns won the Golden Bear for best short film in 2005 for Milk, about a girl trying to bathe her grandmother.
　　Nico Mensinga wrote the screenplay for Daphne in his second collaboration with Mackie Burns after the short Happy Birthday To Me, also starring Beecham.
　　The Daphne shoot kicks-off amid a high-profile year for The Bureau following the success of Andrew Haigh’s 45 Years, which won two Silver Bears for the lead performances of Charlotte Rampling and Tom Courtenay in Berlin last year, with Rampling also receiving an Oscar nomination, and is up for Outstanding British Film at tonight’s Baftas.
　　“Peter Mackie Burns has made some visceral performance driven shorts including the award-winning Milk,” said Lizzie Francke, BFI senior production and development executive. “It is great to be able to support him on the next stage of his film career

簡(jiǎn)介：

《Sand Castle》講述的是一個(gè)由真人真事改編的故事，基于一場(chǎng)伊拉克戰(zhàn)爭(zhēng)。19歲的士兵 Matt Ocre（Nicholas Hoult飾）和他的排長(zhǎng)貝克中士受命前往保護(hù)一個(gè)遙遠(yuǎn)的并陷入危險(xiǎn)的村莊---巴古拜，去修補(bǔ)重要的管道。因這個(gè)任務(wù)他們成了敵軍的目標(biāo)，狙擊手的襲擊，自殺式炸彈襲擊者，他們還要不斷警惕。隨著日子一天天過(guò)去，他的戰(zhàn)友都犧牲了，Matt的意志力正在被慢慢消磨著，讓他面對(duì)自己最黑暗的部分。

簡(jiǎn)介：A struggling artist is deeply enmeshed in the world of cult cinema. As his identity blurs with his dark creations, he starts to see the monster from his films creeping into his reality, leaving him unable to distinguish fact from fiction.