簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

"紀(jì)錄片首曝電影《哪吒之魔童鬧?！返哪缓笾谱鬟^(guò)程，導(dǎo)演餃子和全國(guó)四千多名動(dòng)畫(huà)人一起墊腳觸碰創(chuàng)作天花板的故事。 　　通過(guò)紀(jì)錄團(tuán)隊(duì)中制作人員的工作瞬間或閑暇趣事，展現(xiàn)中國(guó)動(dòng)畫(huà)電影人不斷突破想象力、突破自我、突破極限的頑"強(qiáng)精神與樂(lè)觀態(tài)度，及"人生不設(shè)限"的價(jià)值觀。"

簡(jiǎn)介：

簡(jiǎn)介：Valerie Taylor is a shark fanatic and an Australian icon — a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for “Jaws” and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever.

簡(jiǎn)介：　　A commercial diver is stranded on the seabed with 5 minutes of oxygen, but no chance of rescue for more than 30 minutes. With access to amazing archive, this is the true story of one man’s impossible fight for survival.

簡(jiǎn)介：　　2040 is an innovative feature documentary that looks to the future, but is vitally important NOW. Award-winning director Damon Gameau embarks on journey to explore what the future would look like by the year 2040 if we simply embraced the best solutions already available to us to improve our planet and shifted them into the mainstream. Structured as a visual letter to his 4-year-old daughter, Damon blends traditional documentary footage with dramatized sequences and high-end visual effects to create a vision board for his daughter and the planet.

簡(jiǎn)介：　　1960年的夏天，社會(huì)學(xué)家埃德加·莫蘭和讓·魯什對(duì)巴黎年輕人的日常生活進(jìn)行調(diào)查，了解他們對(duì)幸福的理解。這部論述電影連續(xù)幾個(gè)月跟蹤調(diào)查的進(jìn)行，也記錄了主人公們的變化。調(diào)查中被采訪的人最后在影片第一次放映的時(shí)候聚集在一起觀看進(jìn)行討論，有人的贊同，有的人駁斥。兩位導(dǎo)演通過(guò)這部真實(shí)電影，經(jīng)歷了既極具挑戰(zhàn)又充滿樂(lè)趣的體驗(yàn)。
　　"In the summer of 1960, Jean Rouch and Edgar Morin investigated the everyday life of people living in Paris. ""Are you happy? How do you live?"" These are some of questions they asked young people on the street in an attempt to understand their idea of happiness.
　　From manual labourers, students, to a couple of office workers, the different protagonists reveal themselves in conversation, unconcerned about the presence of the camera. With no script, and no professional actors, this film sets out to frame the limits of cinematographic truth."
　　1961 戛納國(guó)際電影節(jié) 國(guó)際影評(píng)人獎(jiǎng)

簡(jiǎn)介：　　Roy Cohn personified the dark arts of American politics, turning empty vessels into dangerous demagogues - from Joseph McCarthy to his final project, Donald J. Trump. This thriller-like exposé connects the dots, revealing how a deeply troubled master manipulator shaped our current American nightmare.

簡(jiǎn)介：

　　一名少女及其男友收到大量粗俗和辱罵性的手機(jī)短信。是誰(shuí)發(fā)送的這些短信，原因又是什么？這部曲折的紀(jì)錄片將揭開(kāi)令人震驚的答案。

簡(jiǎn)介：

艾琳泰勒布羅德斯基的首部長(zhǎng)片《Hear and Now》探討遺傳性失聰如何影響她家中的兩代人，在2007年辛丹斯電影節(jié)獲得觀眾大獎(jiǎng)。本片延續(xù)這部自傳式紀(jì)錄片，布羅德斯基的兒子喬納斯遺傳了家族性的失聰基因，四歲時(shí)接近完全失聰，兒時(shí)接受人工耳蝸手術(shù)?，F(xiàn)在11歲的他，已經(jīng)熟習(xí)了有聲音的世界，並學(xué)習(xí)彈奏貝多芬的《月光奏鳴曲》。布羅德斯基的父母也植入人工耳蝸，但跟喬納斯不同，他們大部分的人生都已在寂靜無(wú)聲的世界中渡過(guò)。當(dāng)喬納斯在探索寂靜對(duì)他的意義時(shí)，他的外祖父卻在摸索獲得聽(tīng)覺(jué)後的轉(zhuǎn)變。

簡(jiǎn)介：

講述了Taylor的音樂(lè)和人生的成長(zhǎng)經(jīng)歷，從一位鄉(xiāng)村少女如何成長(zhǎng)成如今流行樂(lè)壇最有影響力之一的流行天后，來(lái)一起見(jiàn)證和了解Taylor Swift的璀璨之路吧~~

簡(jiǎn)介：

這是一部真實(shí)的伊拉克戰(zhàn)爭(zhēng)紀(jì)錄片，記錄一班丹麥?zhǔn)勘慌赏晾朔叟c塔利班作戰(zhàn)的故事。《阿瑪?shù)狭_》講述了戰(zhàn)爭(zhēng)中年輕士兵們的故事，他們?nèi)绾卧诎⒏缓故チ松倌甑募冋??！鞍數(shù)狭_”是其中一名丹麥?zhǔn)勘拿?，他被派往阿富汗的赫爾曼德?lián)紊诒?。而正是?dǎo)演揚(yáng)努斯·梅茲·彼得森對(duì)這些身處前線的年輕士兵進(jìn)行了6個(gè)月的跟拍，走進(jìn)他們的內(nèi)心世界，也試圖尋找這對(duì)于戰(zhàn)爭(zhēng)來(lái)說(shuō)究竟意味著什么。幕后花絮·丹麥導(dǎo)演揚(yáng)努斯·梅茲·彼得森執(zhí)導(dǎo)的紀(jì)錄片《阿瑪?shù)狭_》摘獲了第63屆戛納電影節(jié)國(guó)際影評(píng)人周評(píng)委團(tuán)大獎(jiǎng)。本片是從2000多部影片中脫穎而出，最終摘獲大獎(jiǎng)，也成為有史以來(lái)戛納電影節(jié)國(guó)際影評(píng)人周唯一摘獲評(píng)委團(tuán)大獎(jiǎng)的紀(jì)錄片。