簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：本片拍於1976年，由羅臻執(zhí)導(dǎo)、倪匡編劇，劇情充滿奇幻色彩，并由影帝狄龍領(lǐng)銜主演。故事描述廣西蛇山中有三條巨蛇──蛇王子(狄龍 飾)、黑蛇(吳杭生 飾)及黃蛇(汪禹 飾)；一夜三蛇化成人形與苗寨男女載歌載舞，蛇王子更因此愛(ài)上苗寨女子黑琴(林珍奇 飾)。后苗寨旱災(zāi)，蛇王子答應(yīng)率蛇作法，引水入寨，但條件是要娶黑琴為妻……

簡(jiǎn)介：

南方邊陲小鎮(zhèn)，綽號(hào)“釘子李”的老人自恃棋藝高超，他將老將釘在棋盤上，聲稱無(wú)人能令他拔釘挪將，獨(dú)孤求敗。在那個(gè)特殊的時(shí)代，百萬(wàn)青年上山下鄉(xiāng)。小鎮(zhèn)新來(lái)的書記（牛犇飾）輸棋后憤憤不平，派下屬去城里尋找擅長(zhǎng)琴棋書畫的人才。外號(hào)“棋呆子”的北京青年王一生（謝園飾）稀里糊涂成了破壞文化大革命的現(xiàn)行反革命，最后被尋找他的人救了出去。他似乎對(duì)所要去的地方根本沒(méi)任何想法，只要有飯有棋就一切都好?！昂我越鈶n，惟有下棋?！贝糇右恍闹辉谄寰?，他將在那個(gè)陌生的所在和各路高手留下令人神往的對(duì)決……本片根據(jù)阿城的同名小說(shuō)改編，并榮獲1989年度金雞獎(jiǎng)最佳男演員獎(jiǎng)（謝園）。

簡(jiǎn)介：

二戰(zhàn)前夕一個(gè)狂野的探險(xiǎn)家在非洲乞力馬扎羅山附近尋找失落的鉆石礦 納粹也正在尋找鉆石礦準(zhǔn)備為希特勒的野心計(jì)劃計(jì)劃提供強(qiáng)大的資金。

簡(jiǎn)介：

雨夜，華盛公司保險(xiǎn)柜被撬。幾天后公司要員林森攜重要文件在一起蓄意車禍中失蹤。晚報(bào)記者沈丹丹拍下車禍照片。刑警隊(duì)長(zhǎng)羅浩將某公司經(jīng)理劉威龍列為重要嫌疑對(duì)象。一天兩個(gè)青年潛入沈丹丹宿舍，欲偷竊罪證照片，被羅浩和沈丹丹嚇走。原來(lái)，簽合同上當(dāng)?shù)膭⑼堜b而走險(xiǎn)綁架了林森。羅、沈二人趕到藏匿林森的倉(cāng)庫(kù)，差點(diǎn)被狡猾的劉威龍炸死。羅浩緊追劉威龍，兩人在海邊展開搏斗。眾刑警趕到將劉威龍抓獲。沈丹丹和羅浩兩人逐漸擦出了愛(ài)的火花

簡(jiǎn)介：本片系臺(tái)灣龍族影業(yè)有限公司1986年出品。

簡(jiǎn)介：

　　電影劇情：
　　少女張碧玉十七歲，生于小康之家，生活無(wú)憂無(wú)缺。張父忙于賺錢，張母則沉迷打麻雀，小弟年紀(jì)又小，碧玉心事無(wú)人可訴，苦悶非常。碧玉看見(jiàn)學(xué)校里許多同學(xué)都一雙一對(duì)，羨慕不已。
　　雖然也有一兩個(gè)同學(xué)追求她，但她的一顆芳心卻落在李晚成老師身上。碧玉不但借辭請(qǐng)老師補(bǔ)課，還請(qǐng)他老師參加音樂(lè)會(huì)。她得不到父母的關(guān)心，暗戀李老師又遭拒絕。遂貿(mào)然接受花花公子何少青的追求，險(xiǎn)告失身。碧玉羞憤自殺，幸獲救，并獲雙親、師長(zhǎng)諒解，重過(guò)新生活。
　　外文名：Sweet seventeen
　　出品時(shí)間：1954年
　　出品公司：自由影業(yè)公司
　　發(fā)行公司：自由影業(yè)公司
　　攝制公司：華達(dá)片場(chǎng)
　　制片地區(qū)：中國(guó)香港
　　類    型：劇情
　　片    長(zhǎng)：108分鐘
　　上映時(shí)間：1954年07月16日
　　對(duì)白語(yǔ)言：國(guó)語(yǔ)
　　色    彩：黑白
　　職員表：
　　監(jiān)制：黃卓漢；袁德甫
　　導(dǎo)演：秦劍
　　編劇：莫康時(shí)
　　攝影：王劍寒
　　剪輯：潘照；梁恭
　　燈光：梁炳
　　錄音：譚宏遠(yuǎn)
　　劇務(wù)：陳英杰
　　場(chǎng)記：趙伯川
　　布景師：包天鳴
　　制片：潘炳權(quán)
　　音樂(lè)：葉純之
　　場(chǎng)務(wù)：王海濤
　　化妝：方圓
　　洗?。悍腋?br/>　　演員表：
　　角色                         演員                          備注
　　張碧玉                        林翠----
　　李晚成黃河----
　　張伯年石磊----
　　王媽馬笑儂----
　　張少帆水維德----
　　張?zhí)闷?---
　　朱醫(yī)生吳景平----
　　羅校長(zhǎng)陳濠----
　　方志雄楊文凱----
　　霍錦江陳榴霞                          ----
　　何美萍童真----
　　小蕭?cǎi)R力----
　　何少青岳麟----
　　陳漢楊帆----
　　蔡淑蘭楊雯----
　　江小珠丹妮----
　　黃云左青----
　　方萍伊玲----

簡(jiǎn)介：中國(guó)過(guò)去就是被政府顢預(yù)無(wú)能而再飽受被日侵華之創(chuàng)傷，歷史的殘骸道出了千萬(wàn)民族凄厲之悲歌，劫后余生的唐家國(guó)在戰(zhàn)亂中和唯一的姐姐也失散了，戰(zhàn)爭(zhēng)遺留下的烙印使他一生也刻骨銘心。他憑個(gè)人堅(jiān)毅意志奮力苦學(xué)，在事業(yè)上奠定了很有成就之人物，并將戰(zhàn)時(shí)日軍罪證揭發(fā)公諸于世。

簡(jiǎn)介：

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

簡(jiǎn)介：

　　《逆流而上》講述了1932年，國(guó)民黨反動(dòng)派對(duì)蘇區(qū)及各根據(jù)地發(fā)動(dòng)圍剿，我黨在上海的地下斗爭(zhēng)進(jìn)入白熱化。為了支援根據(jù)地艱苦的反圍剿戰(zhàn)斗，上海地下的同志劫走日本駐軍四噸黃金。日軍向國(guó)民黨黨務(wù)調(diào)查科上海站施壓，要求三天內(nèi)必須追回黃金。同時(shí)，調(diào)查科意外獲悉，共產(chǎn)黨將向上海地下派遣新的負(fù)責(zé)人，會(huì)在三天后與潛伏在調(diào)查科的地下黨接洽。他們將要在三天內(nèi)，追回黃金，圍剿中共地下黨，中共地下黨們?cè)撊绾螒?yīng)對(duì)這場(chǎng)戰(zhàn)斗呢？

簡(jiǎn)介：寒山寺傳來(lái)的陣陣鐘聲，把姑蘇古城從晨靄中喚醒。女導(dǎo)游陳藹然又開始了緊張繁忙的一天。華裔老人宋尚清迢迢萬(wàn)里來(lái)到姑蘇，不料卻拒絕了旅行社為他安排一切活動(dòng)，將自己孤零零地反鎖在飯店的臥室里，足不出戶。面對(duì)如此古怪的游客，陳藹然憑借自己多年積累的接待經(jīng)驗(yàn)，幾番與老人接觸，弄清楚事情的原因。原來(lái)，宋尚清祖籍山東，幼年時(shí)因家境貧困去海外謀生。幾十年中，他歷經(jīng)人世間的冷漠和欺凌，孤身一人頑強(qiáng)拼搏，終于薄積資產(chǎn)。這次他回祖國(guó)的目的，是想尋覓往昔的寧?kù)o和鄉(xiāng)音，以緩解埋藏在心靈深處的傷痛。陳藹然理解宋尚清的心情。她以自己的情感和真誠(chéng)，使老人感受到祖國(guó)的溫暖，恢復(fù)了生活的樂(lè)趣。宋尚清巧遇族親宋盼，沒(méi)料到竟是自己老部下宋國(guó)雄的兒子，老人悲喜交加。陳藹然得如此事，積極為宋尚清安排，使老人和國(guó)內(nèi)親屬團(tuán)聚。最后，宋尚清將宋氏先祖宋維的傳家之寶犀牛角杯獻(xiàn)給了古城，高興地踏上歸途。老人走后，陳藹然又開始接待日本旅游團(tuán)。旅游團(tuán)隨員今野向她透露，團(tuán)員鬼冢在戰(zhàn)爭(zhēng)期間失去了僅有的兩個(gè)兒子，孤身一人，對(duì)生活已失去信心，幾次自殺未遂。團(tuán)員田畑武雄則在侵華戰(zhàn)爭(zhēng)中充當(dāng)炮灰，參與搶劫了一名中國(guó)婦女的兩枚戒指，這次懷著贖罪的心情重訪故地。陳藹然聽(tīng)完今野的介紹，對(duì)他倆懷著復(fù)雜的心情，因?yàn)樗约旱淖娓甘窃谀暇┐笸罋⒅袉噬?。但她從大局出發(fā)，以禮相待這兩位日本游客，使他們安心而歸。華裔青年麥阿大和阿方被父母送回內(nèi)地戒毒。他倆不斷被毒癮所折磨，以致失去戒毒的信心。陳藹然對(duì)他倆曉之以禮，動(dòng)之以情，終于使兄弟倆堅(jiān)定了戒毒的信心，開始新的生活。陳藹然雖然對(duì)工作、對(duì)他人滿腔熱情，可是對(duì)自己的婚姻問(wèn)題卻沒(méi)有激情。她自稱是一個(gè)獨(dú)身主義者，但內(nèi)心深處卻默默地愛(ài)著為她輔導(dǎo)唐詩(shī)的李老師。她的外國(guó)女友露易斯自稱既不當(dāng)妻子，也不想做母親，但暗中對(duì)李老師一往情深。這使三人都陷入了復(fù)雜的感情漩渦。陳藹然將如何選擇和安排她的個(gè)人生活呢？

簡(jiǎn)介：改編自小說(shuō)《南宋第一臥底》，講述了南宋年間，錢塘縣捕頭沈墨(唐禹哲飾)被迫卷入一宗鬼樊樓血案，從而一步步揭開一個(gè)不為人知的驚天秘密的故事。