簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：

兩個10歲的孩子無意間在郊外發(fā)現(xiàn)一部看似被遺棄的警車；結(jié)果他們居然異想天開地把車給開去兜風，但除了令人無言、毛骨悚然、自殺式的駕駛技術(shù)外，他倆對自己惹上了什么麻煩也渾然不知。
　　當警車的主人---小鎮(zhèn)警長（凱文·貝肯 Kevin Bacon 飾）找上門來要回他失蹤的警車時 ，情況更是雪上加霜。兩個小鬼頭這時才發(fā)現(xiàn)他們已陷入一場危險又致命的貓捉老鼠游戲中……

簡介：一種致命病毒如野火燎原般在全球蔓延，整個世界處于封閉、封控、封鎖狀態(tài)，世界各地的城市里的人們生活在恐懼和混亂之中，他們在被迫的孤寂中苦苦掙扎，不惜一切代價為生存而斗爭。。。

簡介：住西部大山的美麗村姑田枚，進城打工。巧遇電視臺“美麗村姑”大賽的編導人員，大家一致認為田枚的形象、氣質(zhì)是理想中的村姑，于是田枚順利通過村姑大賽的初賽進入決賽。但在建筑工地打工的男朋友二巖卻對田枚的這種行為有成見。于是，在是否參賽和參賽后的種種猜忌中，兩小無猜的田枚和二巖因為意見分岐而分手了。“憨頭憨腦”的田枚憑著她大山姑娘的刻苦、頑強和謙虛好學的那股“拙勁兒”，在大賽中各方面的表現(xiàn)都極好地超越了其他村姑，最后勇奪冠軍。

簡介：該片以真實的人物事件為原型，講述了刑滿釋放人員出獄以后在黨和政府以及社會各界的關(guān)愛下，自強不息、重塑人生、艱苦創(chuàng)業(yè)的感人故eee。

簡介：小男孩尼克（胡里奧·博希加斯 Julio Bohigas-Couto 飾）在一個風雨交加的夜晚目睹了鄰居安吉爾（哈維爾·古鐵雷斯 Javier Gutiérrez 飾）殺害自己妻子的場面。在和安吉爾的追逐之中，一輛車將尼克撞倒，導致了他的死亡。一晃眼多年過去，薇拉（阿德麗安娜·尤加特 Adriana Ugarte 飾）和丈夫大衛(wèi)（阿爾瓦羅·莫奇 álvaro Morte 飾）帶著他們的女兒住進了尼克曾經(jīng)居住過的房子?！　∮幸粋€電閃雷鳴的夜晚，薇拉意外的在電視里看到了尼克，讓薇拉感到震驚的是，自己似乎能夠通過電視和25年前的尼克對話。在薇拉的告誡之下，尼克免于一死，但過去的改變也牽連著薇拉的生活發(fā)生了巨變。大衛(wèi)不再是薇拉的丈夫，而他們的女兒自然也不復存在。

簡介：

繼《圣山》中的事件之后，我們重訪了菲洛梅娜的家，這部影片預計將比第一部更大、更黑暗。

簡介：

解放前,雜亂的上海街頭,饑腸轆轆的流浪兒小牛偷了萬老頭修表鋪中一塊金表,他的小伙伴大貓和小耗子為之眼紅,于是發(fā)生爭斗,結(jié)果被帶往警察局拘押。至此,三個孩子又團結(jié)一致,發(fā)誓嚴守金表的秘密。　拘押期內(nèi),小牛因爭食并動手打人,又被送進“兒童教養(yǎng)院”。教養(yǎng)院訓導主任殷小臣發(fā)現(xiàn)了小牛偷金表的秘密后,便借此要俠他,唆使他盜賣院內(nèi)公物,此事被院內(nèi)名叫小胖的孩子發(fā)現(xiàn)。事發(fā)之后,教養(yǎng)院教導員雷春華著手調(diào)查。小胖準備聯(lián)絡(luò)院內(nèi)孩子揭發(fā)殷小臣,小牛卻向殷小臣通風報信。殷小臣先發(fā)制人,把小胖狠揍一頓。雷教導員為人熱情厚道,對小牛生活關(guān)懷備至,使小牛深受感動。最后,當小牛知道萬老頭因丟了顧客的金表被拘留三個月,他的孫女、小牛的好朋友翠翠孤苦伶仃,無依無靠時,良心受到譴責,終于坦白了自己的錯誤,并揭發(fā)了殷小臣的違法勾當。小牛的表現(xiàn),得到雷春華和孩子們的諒解和歡迎。

簡介：

　　姜子牙、姬發(fā)帶隊堅守西岐，家園保衛(wèi)戰(zhàn)一觸即發(fā)！鄧嬋玉、聞仲奉商王殷壽之命，率魔家四將等殷商大軍征伐西岐，西岐一方得殷郊、雷震子、楊戩、哪吒等相助，更聚全民之力守衛(wèi)家園。兵戈相對、法術(shù)交鋒，兩大陣營掀起強強對決，關(guān)于“封神榜” 的爭奪正在繼續(xù)......

簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

簡介：沃拉爾的人生平凡無奇。他生長于一個虔誠的家庭，通過經(jīng)營一家坐落于伊斯坦布爾美國領(lǐng)事館對面的照相館，履行著作為養(yǎng)家糊口之人的職責，供養(yǎng)年輕的兒子和生病的父親。此外，他還延續(xù)家族傳統(tǒng)，指導兒子成為一個正直的人。但在表象之下，沃拉爾也有一個秘密：他和年輕的女顧客——為了申請美國簽證而找他拍照的索奈有了外遇。索奈一心想要離開這里，在夢想破滅后，憤怒的她和沃拉爾起了爭執(zhí)，威脅到了他平靜的生活。最終，沃拉爾必須做出選擇：是誠實地面對自己犯下的過錯，還是掩蓋真相、走上道德淪喪的黑暗之路？

簡介：第一部的5年之后，曾經(jīng)的地球殘疾軍人杰克·薩利，如今已經(jīng)是潘多拉星球納美族一方部族的族長，并且與愛妻娜塔莉共同育有一對可愛的兒女，日子過得平淡而充實。然而某天，有個部族的兄弟在海岸附近巡邏時遭到利器割喉身亡。通過現(xiàn)場勘查，以及作為前海軍陸戰(zhàn)隊員的敏銳直覺，杰克判斷已經(jīng)有人類的阿凡達混入了部落……