簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：描寫一個青年復員護士，為了搶救被臺風襲擊的受災地區(qū)人民財產(chǎn)的安全，使喉嚨受到損傷，影響了復試成績，經(jīng)調(diào)查后被錄取為正式學員，同時也表現(xiàn)了老教授在工作中的認真負責深入調(diào)查，才沒有使真正有具音樂才能的人被埋沒。

簡介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

簡介：阿茂是市政府清潔工人，為人憨直善良。某日，匪徒意外地將糧款袋掛在阿茂的垃圾車上。茂下班時見袋，但因匆忙赴女友琳琳之約，乃不經(jīng)意將之置放床下。茂至琳琳家做客，向琳母提親，琳母要送女家六十桌酒席。茂為了盡早解決六十桌酒席費用，和同房阿福往找兼職，二人做收租員，按址收租，發(fā)現(xiàn)原來全是大檔……

簡介：影片以阿爾及爾為背景,表現(xiàn)一個強盜遭到警察的追捕,只能在阿爾及爾的卡斯巴平民區(qū)一帶逃竄,躲藏.最后,他企圖同他的情人一起逃到巴黎,從此擺脫非人生活，但是,"命運"卻使他無法搭船,只得憤而自殺.法國詩意現(xiàn)實主義代表作.

簡介：

馬特．狄龍初登銀幕的處女作，一部反映七十年代未期美國青少年人生迷茫的社會問題片。故事背景是加州小鎮(zhèn)的中下層社區(qū)，年輕人生活空虛，缺乏正當娛樂，于是轉(zhuǎn)向搖滾樂、迷幻藥和性發(fā)泄尋求滿足。當?shù)鼐煲鈭D掃蕩孩子們的毒品交易，卡爾深受困擾。于是跑去找小無賴里奇幫忙，因為他有槍，不料事情發(fā)展越弄越糟，暴力事件一發(fā)不可收拾。導演喬納森．卡普蘭以敏銳面靈活的手法表現(xiàn)年輕人的叛逆感覺，效果不落俗套，以大量搖滾樂歌曲為基礎的電影配樂更令人有活力充沛之感。

簡介：

本作品是一部以“垃圾宅邸”為主題的“整理人間喜劇”，共6集。主角是白子立樹，他的鋼琴家生涯因雙手不明原因的顫抖而中斷。他偶然看到一張傳單，開始在一家專門從事垃圾房的清潔公司“垃圾天堂”工作。不講理的老板和情況各異的客戶。律希目睹了一個超乎他想象的世界。

簡介：盡管醫(yī)生生性善良，工作努力，但他和女友美美之間的關系卻一直都不是那么融洽，因為美美實在是太強勢了，積怨隨著時間的推移慢慢增加，最終，醫(yī)生決定同美美分手。一次偶然中，醫(yī)生邂逅了墜樓受傷的神秘女子，一來二去之間，兩人距離越來越近，產(chǎn)生了真摯的感情。深感遭到男友背叛的美美跟蹤醫(yī)生，卻震驚的發(fā)現(xiàn)該神秘的“第三者”乃至其家人竟然都是鬼魂。醫(yī)生自然不相信美美所說的“真相”，他攜同事國明向電視節(jié)目中的驅(qū)鬼大師尋求幫助。在大師的幫助下，醫(yī)生終于知道，女子之所以未能輪回轉(zhuǎn)世依然流連人間的原因，和當?shù)匾粋€兇殘的犯罪集團有著千絲萬縷的聯(lián)系。

簡介：湯警官（胡楓 飾）陳警官（高雄 飾）是警察學校的教官，近日里，學校里頻頻發(fā)生科學無法解釋的靈異事件，導致學員們不敢再來上課，無奈之下，兩人找到了法師驅(qū)鬼，方才得知原來是因為陳警官的前世害死了一家四口人，四人化作厲鬼，今世來找陳警官報仇。化解這劫難的方法只有一個，那就是找九名生肖屬龍的警員擺出九龍追魂陣?！　￡惥匐[瞞了驅(qū)鬼的事實，以一虛構(gòu)的任務為名，成功召集了屬龍的九人，其中有一個特別張狂的女人阿李（吳君如 飾）引起眾人的反感。最終，學校里鬧鬼的事情還是敗露，當九人想要逃走時，卻發(fā)現(xiàn)他們已經(jīng)中了厲鬼的計，無法離開，九龍追魂陣是他們生還的唯一希望。

簡介：　　陳真奉師傅之命前往日本學習先進的技術(shù)，與同學山田廣子相知相愛，陳真低調(diào)好學卻一再遭受黑龍會的欺壓，并且發(fā)現(xiàn)多名華人學生失蹤。在好友梁少文幫助下追查幕后真兇時，陳真與黑龍會骨干伊藤真司，會長山田一南等人斗智斗勇，最終將黑龍會的陰謀瓦解，搗毀了日本人的實驗密室。

簡介：紀錄性藝術(shù)片。影片講述本溪合金廠白手起家群策群力克服困難成功冶煉出各種合金的故事，歌頌在社會主義建設中，工人們發(fā)揚主人翁的精神，不畏艱難，勇往直前的革命精神。

簡介：根據(jù)李犟小說《冰化雪消》改編。1955年農(nóng)業(yè)合作化時期，紅旗農(nóng)業(yè)社副社長劉麥鬧在成績面前驕傲自滿。曙光社社長魏虎頭在副社長劉二興的影響下，不重視農(nóng)業(yè)生產(chǎn)。劉麥鬧對魏虎頭的錯誤諷刺打擊...